The "Troubadour" Virginal

Professional harpsichordists have been asking us for a small instrument, something that could be handled by one person and easily transported to continuo and accompanying engagements. It would have to have a big sound, one that could cut through a small orchestra or ensemble; and it had to be stable, so that frequent tuning wasn't required. It dawned on us that such an instrument would not only serve the professional, but also those who are looking for a relatively inexpensive instrument for home use as well. So we designed the "Troubadour" virginal for the working musician and for those who want a small harpsichord.

Ed Kottick, leading the Zuckermann team once again, created the first drafts for our new virginal. The "Troubadour" wasn't designed "after" any particular antique, although we did study a whole range of southern European virginals before we went to the drawing board. We have done everything possible to keep down costs without compromising performance. The "Troubadour" is lightly built, but strong enough so that it doesn't require an outer case. The exterior is a nicely varnished maple. The naturals are boxwood and the sharps are fruitwood. Some nice cherry moldings enliven the case. The music desk is removable.

The compass is C to f''' with one extra key in the bass, allowing you to tune any note you want below the low C. You can tune the bass to a GG/BB short octave for example. It's also transposable (A 415 or A440). We build the troubadour with wood jacks, voiced in celcon and it is strung in antique style yellow brass wire.

Shown with natural finish and optional lid & stand